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CHARLOTTE MOORE — DAPHNE'S THRESHOLD

CHARLOTTE MOORE - ARTIST FILM - CLIENT | BRITISH CERAMICS BIENNIAL - JUNE 25

Page from Leah Jensen's Brain Tumour Book combining embroidery, personal objects and memories from cancer treatment.
Embroidered artwork from My Brain Tumour Book exploring treatment side effects and sensitivity to salt.

[SYNOPSIS]

Charlotte Moore's practice is informed by growing up in the Tamar Valley in Cornwall, a post-industrial landscape shaped by mining and agriculture. Her work examines how human activity drives botanical shifts, focusing on how non-native and local plant communities compete to reclaim landscapes and architecture.

For Award 2025, she created a large ceramic gateway addressing the devastating impact of future wildfires in the Tamar Valley. Digital models, directly developed from wildflower data, were brought to life through casting and hand-sculpting. In 2023, Cornwall experienced 614 wildfires in a single summer.

[TRANSCRIPT]

"To me it was always this wonderful natural environment. But now, looking back on it with adult eyes, I realise it is actually a post-industrial landscape that has been reclaimed by this really greedy nature.

In 2023, just during the summer, Cornwall experienced 614 wildfires. My piece is like a gateway. You can walk through it, and the other side displays the future.

If you know what you're looking for, you'll see it."

Screenshot 2026-03-30 181359_edited.jpg

[CAST + CREW]

Created by Lucy Steel and Cameron Doig

Artist: Charlotte Moore

Client: British Ceramics Biennial

Project Type: Artist Film

Location: Tamar Valley, Cornwall

Year: 2025

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